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tiffany-loves-broadway asked: I'm a fairly recent initiate into the NGE fandom, and I love EOE, but I kind of got the impression that TNC's reputation within the CC fandom is an exaggerated form of either EOE or EOTV's reputation within the NGE fandom.

I meant to say “and I love both EOE and EOTV”, sorry!

You know, I didn’t have that in mind at all, at least not consciously!  I get the sense that EOE is relatively well liked except by a contrarian minority, and that while a lot of people are dissatisfied by EOTV, it’s not quite weird or inexplicable enough to inspire a TNC-like reputation.  (In particular, EOE is if anything “weirder” than EOTV, but also more traditionally satisfying, which breaks the analogy somewhat.)

The reception of TNC relative to Salby’s other work was inspired consciously by Homestuck Act 6, Finnegans Wake, The Silmarillion, Philip K. Dick’s later novels and his Exegesis, the later issues of Cerebus, and probably a few things I’m forgetting.

atonaltantrum:
“ Curiously Salbian elementary school @nostalgebraist
”

atonaltantrum:

Curiously Salbian elementary school @nostalgebraist

nightpool:
“ @nostalgebraist this reminds me strongly of TNC
”

nightpool:

@nostalgebraist this reminds me strongly of TNC

(via nightpool)

gurguliare asked: weird driveby ask but: i strongly associate your sf with hamilton in general. "i noticed a comma -- in the middle of three other commas -- DID YOU INTEND THIS. four strokes and you've consumed my feeling of discrete identity"

Mohammed Salim: [sings the entirety of “Wait For It”]

Yesterday Esther finished listening to Hamilton with me, and I’m sure you all will be really surprised to learn that I thought it was great

Anyway, it’s not a very deep connection, but I can’t listen to this song without thinking of Paul from TNC

Some fun podcast discussion of TNC here (starts at 32:38).

(Since this was posted before the podcast chapter of TNC was written, I feel like I should clarify that that chapter was not a response to it – I only just discovered the linked podcast today)

jollityfarm:

Hey, @nostalgebraist, sorry to keep bugging you this evening.  I finished The Northern Caves and I have a quick kudos/question.

Alright… I hate to impose my own situation onto everything I read (I mean to some extent maybe we all do that when reading anything ever, but but but), but I’m getting some major scrupulosity vibes from Salby.  Was this intentional?  How about the description of chunky peanut butter chunks getting stuck in-between teeth (the nebulously discomfiting feeling of stuff getting in teeth is a good analogy for feelings of definite un-rightness)?  Whether or not it was intentional, it’s an excellent description of scrupulosity.

Short answer: yes.

The more “physical” stuff was heavily inspired by my Tourette Syndrome.  The more moral aspects are heavily inspired by my … well, I don’t think I have “scrupulosity” in anything like the clinical sense, but they’re definitely based on exaggerations of my own experiences as well as on experiences I’ve heard reported by other people, in many cases people with OCD.

(I think these two things are connected – Tourette’s and OCD are comorbid, for one thing, but also @slatestarscratchpad wrote a post here interpreting the sort in light of something called “Tourettic OCD,” and his description of it sounded pretty close to what I experience.  See also here for the clinical status of Tourettic OCD)

fipindustries:
“ “ Imagine, likewise, that your ordinary visual/spatial awareness is much like the “ghostly mental sketch” just mentioned. To some extent, on some level, you are aware that, say, you are sitting in a chair, and that this involves your...

fipindustries:

“ Imagine, likewise, that your ordinary visual/spatial awareness is much like the “ghostly mental sketch” just mentioned.  To some extent, on some level, you are aware that, say, you are sitting in a chair, and that this involves your torso being positioned above the chair.  But, unless there is some special reason to attend to this fact, it does not persist in awareness.  You cannot avoid seeing what is front of you, but you can and dousually avoid “seeing” (as it were) the fact that there is a chair beneath you, or that this chair is about three feet (and not, say, ten feet, or five inches) away from a neighboring desk.  But a hallmark of the separation is that these spatial relations become as pressing and persistent to the conscious mind as vision.  I saw, and kept on seeing, vividly and without reprieve, that I was seated on the floor just so, that Aaron was a certain distance to my left, that a corner of his blanket abutted my left knee, that a flat-screen TV was embedded in the wall behind Jenny a very specific distance away, and so forth.”

oh paul, you are the shinning star that guides us in this sublunary reality. for some reason i always imagined him as someone with an early receding hairline. the arrangement of his folicules was nor preferable i guess.

i tried to do a sort of visual conceptualization of that particular scene and if there are more words than images here is because the separation is something far within the abstract world and also because a lot of the story hinges on the power of written words so i guess its adequate to show mundum in that fashion.

(also there is a portin of the northern caves translated to spanish for shit and giggles there, i sure had shit and giggles translating that incoherent rubbish fascinating text)

!!!!!

mnxmnkmnd asked: hello i am going into the caves again. i just wanted to say that paul's post re: keratin distribution is pretty frighteningly close to how i feel/act sometimes. thanks for that.

Cool.  Do let me know what you think of it when you’ve finished!