Liberals love “dirty movies from Sweden,” knotheads gravitate toward “clean” films, like The Sound of Music, Flubber, and Ice Capades of 1981.

He loves making lame puns, which earned him the nickname “The King of Humor.”

Carving up the physical body and depositing its pieces into other bodies challenges customary notions about the equivalence of the body with an individual’s identity.

I hyphenate those last three words to emphasize that the “being” in question belongs primarily to the conceptual realm of delphinity, and not to the actual dolphin sitting on my veranda (who by now may have finished his coffee).

The Autonomous Nation of Anarchist Libertarians (Anal) say they have been in the Grade II listed building in Eaton Square since Wednesday. They intend to use it as a homeless shelter and community centre, open to any group that “would disgust the wealthy”.

Ted Dustin, an American inventor, seeks to win a prize of one million dollars by being the first person to touch the moon with an object launched from Earth. He devises a huge gun, which fires upon the surface of the moon. Shortly thereafter, the moon fires back, and war breaks out between the planet and its satellite. Using a videophone he invented, Ted hails communication with the moon. A beautiful woman and her guards first reply, but their transmission is cut off by warlike yellow aliens. Ted eventually heads to the moon in a spacecraft of his own design, and meets the titular character, who turns out to be the beautiful woman from the transmission, as well as a princess of one of the two groups that inhabit the moon.

She was a girly girl and they were true men, the lords of creation, but she pitted her wits against them and she won. It had never happened before, and it is sure never to happen again, but she did win. She was not even of human extraction. She was cat-derived, though human in outward shape, which explains the C in front of her name. Her father’s name was C'mackintosh and her name was C'mell. She won her trick against the lawful and assembled Lords of the Instrumentality.

When the system was completed it was possible to follow all the movements of the ‘rat’ within the maze and it was only through a design fault that it was found more than one 'rat’ could be introduced which would then interact together. After various casual attempts the rats started 'thinking’ on a logical basis helped along by reinforcement of correct choices made and the more advanced rats would then be followed by the ones left behind.

Material Evidence’s website described it as a traveling exhibition that would reveal “the full truth” about the civil war in Syria, as well as about 2014’s Euromaidan revolution in Ukraine, through a combination of “unique footage, artefacts, video.” I clicked on the Material Evidence talk and saw that a number of other trolls had been invited, including my old friend I Am Ass.

“What’s in a name?” asked Shakespeare’s Juliet. The answer: a lot of rich data in need of structure and new properties.