A few days ago I finished reading Lanark by Alasdair Gray. It’s a book I’d been meaning to read for a long time, since people kept recommending it to me, and I really like another book by the same author (Poor Things)
It was … well, it was really good, in a lot of different ways: structured in a cool and unique way, darkly and drily funny, emotionally involving (sometimes painfully so), often bizarre and dreamlike to the point of being profoundly unpredictable and yet without descending into mere randomness.
But it’s put me in this odd conflicted position, because it was also one of the most distinctively depressed novels I’ve ever read – not as in “dark” or “depressing” (although it is those things), but as in “expresses the worldview of (a certain kind of) depression, and evokes the characteristic thought patterns of (that kind of) depression.”
I’ve never been clinically depressed per se, but I’ve had bad periods that I identify as depressive because they share features with full-blown depression, just with less persistence and/or intensity. There are some features of my bad periods that overlap with things I’ve heard from some friends and writers with depression, and it’s those features I see in Lanark – i.e., I don’t think all depression has all of those features, but there’s a definite thing there.
I have to leave the house pretty soon, so I may come back later and elaborate on this brief description, but like … there will be a voice, or a character, in my head. Not a distinct persisting entity, more of a gestalt that will attach itself one day to some cynical blogger I’m reading, and then the next day will take the form of some vague nonspecific person I’m talking to in my internal monologue, etc. The main characteristics of this voice are that it is
(1) very cynical and very critical of everything, with extremely high standards for all people / things, standards that are an apparently seamless mixture of ethical, intellectual, and aesthetic
(2) very impressive, in a way that makes me feel like it has the “right” to make each criticism it makes; when the voice makes intellectual criticisms it always seems frighteningly smart, when it makes aesthetic criticisms it seems to have impeccably refined taste, and so on
(3) specifically, it feels so perceptive and so synoptic in its understanding of things that its “insights” feel inescapable; it has already prepared for any objection I might make to it, and there is a feeling that it is “playing any game I play at a higher level,” that it thinks what I would think if I were more honest and perceptive, that it is a sort of mentor figure I would do well to learn from
And in short, Lanark feels like a novel written by that voice. And it’s very good – of course! The voice is a genius! But I would feel strange recommending it, or even praising it at all without including this caveat that it is written by a devil that squats on my shoulders and the shoulders of many others (and maybe the shoulders of Alasdair Gray? does he hear the voice in all its particulars, or am I just reading my own experiences into his book?).
